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Frequently Asked Questions (FAQS);faqs.402



(end included material on SF themes in opera)

---------------------------------

Well, that's it.  Remember, please send your comments, corrections
and additions via *mail*.  Thanks!

Rich Kulawiec, 8/92

Hastily-assembled montage of names of people who sent this stuff in:

Aaron Tucker, Al Crawford, Alan Greig, Alan Meiss, Alan Vymetalik,
Alastair Milne, Alex Melnick, Andrew Priestley, Andrew Raphael, Andy
Tucker, Becky Slocombe, Berry Kercheval, Bill Kaufman, Bjorn Lisper,
Blake Sobiloff, Bob, Brad, Brandon Allbery, Breebaart, Brent Woods,
Brian Ritchie, Brian Yamauchi, Bruce Holloway, Calle Dybedahl, Can
Altinbay, Carl Fongheiser, Carlo N. Samson, Chisholm, Chris Klausmeier,
Christopher Dollin, Chuck Koelbel, Corey Liss, Craig Wilcox, Dan Bloch,
Dan Duval, Daniel Dern, Dave, Dave Berry, Dave Gourley, Dave Rosik,
Dave Steiner, Dave Fiedler, David Adler, David Datta, David Gibbs,
David Kuznick, David Cook, Dean Lawrence Higgins, Devin Ben-Hur, Doug
Alan, Doug Mink, Ed Eastridge, edge!walker, Edwin Wiles, Eerke Boiten,
Ellen Keyne Seebacher, Eric Pepke, Erland Sommarskog, Ethan Miller,
Francini, Fricklas, Fujitsu, fyfesh, G. T. Samson, Gabrielle de
Lioncourt, Gareth, Gerard Lachac, Greg Samson, Guy Harris, Guy
Middleton, Hall, Hartman, Henry, Hirai, Husk, Imko Molenbuur, Jack
Ostroff, Jay Freeman, Jed Hartman, Jef Poskanzer, Jeff, Jeff Rogers,
Jessie Jim, Joanne Brooks, John, John, John A.Mariani, John Ockerbloom,
John Turner, John Relph, Jon Reeves, Jonathan Watts, Jonathan D.
Trudel, Joseph McLean, Kai-Miakel J{{-Aro, KarenColten, Ken, Ken
Leonard, Kyle Grieser, Lance A. Sibley, larry@ssdevo, Leo, Lewis, Lewis
Barnett, Lionel Marcus, Loren "Buck" Buchanan, Loring Holden, Malc,
Malcolm Humes, Malcolm Mladenovic, Mark Schlagenhauf, Maroney, Matthew
Belmonte, Mel, metlay, Michael Caplinger, Mijjil, Mike Holmes, Mike
Swiston, Mike Linksvayer, Miles Bader, Neil Weinstock, Nicholas
Simicich, Nick Smith, paszkows, Patrik Jansson, Paul Czarnecki, Paul S.
R., PaulCzarnecki, Pete, Peter, Peter Alfke, Platt, Randall Shane,
Randy Orrison, Richard Caley, Richard Smith, Robert Pietkivitch,
RobynTarter, Romkey, Russ Williams, Ryk E Spoor, Samir Chettri, Scott
A., Scott Butler, Sean Ellis, Seth Kadesh, Sheila Coyazo, Shelli
Meyers, Smith Steve, Smithson, Stephen Mulrine, Stephen Pearl, Steve
Herring, Steve Lionel, Stuart Sullivan, T. William Wells., Templeton,
Terry Poot, The Roach Above Reproach, The Roach(dan'l), Theo Hong,
Thomas Gayler, Thomas Koenig, Thomas Koenig, Tim, Tim Day, Tim Walters,
Tim Smith, Tom Galloway, Tony Towers, Tynor, Vlach, Vogel, Walker
Aumann, Wayne Barber, William Ingogly, William J. Richard, Dave Vernal,
Ben Waggoner, Chris Mungall, Steve Greer, Jason O'Broin,
Christopher Davis, Brian Kendig, Matt Maxwell, Richard Barrett, Dayne
Miller, Mary Ellen Foster, Alfvaen, Ronny H. Arild, Paul R. Joslin,
Alexander Yok-Wai, Ronald D. White, Kjetil Wiekhorst J|rgensen,
Jim Gillespie, Diarmuid Pigott, Evelyn C Leeper, Christopher Haynes,
Jim Atkinson, Robert Chansky, [e-mail], Michael Simla,
Ray Charbonneau, TheO O'Neal, Alex Melnick, Richard K Fox, Dion Francois.
Derek G Bacon, Daniel F Boyd, Jeff Berry, Richard Heritage, Joe Decker,
James Gillespie, Ulrich Grepel, Mark Parker, Jim Freund, Mike Alberghini,
Paolo Valladolid, Francisco X DeJesus, Scott Grier, Andrew Raphael,
Steve W. Hill, Curt Wiederhoeft.

Xref: bloom-picayune.mit.edu rec.music.bluenote:20536 rec.music.info:669 news.answers:4259
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From: [e-mail] (Mark Linimon)
Subject: FAQ: Rec.music.bluenote: further sources of information
Message-ID: <[e-mail]>
Followup-To: poster
Summary: How to find more information about blues and jazz (periodic posting)
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Archive-name: music/bluenote/sources
Version: 1.0
Last-Modified: Thu Oct 29 16:50:13 EST 1992

This posting provides an incomplete list of resources for more information
about jazz and blues, gathered from various net.postings.  Two companion
postings, "FAQ: rec.music.bluenote: Welcome to rec.music.bluenote!"
<[e-mail]>, and "FAQ: rec.music.bluenote:
frequently asked questions", <[e-mail]>,
provide an introduction to the group, and answers to frequently asked
questions.

These articles are repeated periodically for the benefit of new readers.

Editorial comments can be found in brackets.

[This FAQ is still somewhat preliminary, based on a couple of years of
saved-off postings scattered here and there.  Further contributions
welcomed, see below -- Mark]

----------------------------------------------------------------------------

Subject: table of contents

    Subject: A list of magazines about blues and jazz.
    Subject: A list of books about blues and jazz.
    Subject: A list of festivals of blues and jazz.
    Subject: A list of museums about blues and jazz.
    Subject: Jazz and blues on the radio and TV.
    Subject: Other information about blues and jazz accessible via Usenet.
    Subject: Contributions to rec.music.bluenote FAQs.

----------------------------------------------------------------------------

Subject: A list of magazines about blues and jazz.

BLUES REVUE QUARTERLY

Blues Revue Quarterly is billed as an acoustic and traditional blues digest.
An annual subscription goes for $12 and can be sent to Blues Revue Quarterly,
Rt. 2 Box 118, West Union, WV 26456, att: Bob Vorel.

CADENCE MAGAZINE

Cadence Building
Redwood, NY 13679
[phone]
$25/year

Bill Hery: I think it is by far the best US magazine for reviewing less
commercially oriented jazz--from Satchmo to Cecil and everything in
between. They have more reviews than the other US mags, and concentrate
on non-major labels and imports.  Look at the center 30 pages or so for
a fine print list of thousands of small label/import jazz recordings
they sell at reasonable (but not necessarily great) prices.  Also very
interesting, in depth interviews with jazz mucians who are not
[necessarily] commercial stars.

DOWNBEAT

Bill: Can be considered to be complementary to Cadence, since they cover
a lot of the major labels (which also happen to advertise in DB).

JAZZ CD / JAZZ CASSETTE

Alan Mills: A new magazine has just [10/92] begun publication in Britain;
it's called 'Jazz CD' or 'Jazz Cassette' and includes a CD or cassette
respectively.  The first issue was in September and it will be published
monthly by Van Owen Publications Ltd., 17/19 Raynham Road Industrial
Estate, Bishops Stortford, Hertfordshire, CM23 5PB, England.

JAZZ JOURNAL INTERNATIONAL

Alan Mills: Jazz Journal International magazine reviewed over 1000 records
in 1991.

JAZZ TIMES

Bill: again, not bad, but they are very conservative. They don't pay
much attention to avant garde or fusion, but what they do cover (swing and
bebop seem to be their favorites) they do a pretty good job with.

JAZZIZ

Bill: To me, the exact opposite of Cadence.  They only cover the most
commercial stuff around, and treat everything (reviews, interviews)
very superficially.

David Willard: It has columns on all types of music except for 'popular'
and 'country and western' music.  It does have blues, traditional jazz,
comtemporary jazz, new age, folk, Brazilian, voices, and even a little
R&B and classical.

LIVING BLUES

Living Blues
C/O Center For the Study Of Southern Folklore
University of Mississippi

A blues magazine focusing on acoustic country/delta blues.  Excellent.

RECORD ROUNDUP

Roundup Records
P.O. Box 154
N. Cambridge Mass

Roy McKelvey: They put out a catalogue about every other month with an
interesting selection of Folk, Blues, Bluegrass, Jazz and "World" music.
The catalogue is free, and will keep coming if you order something a few
times a year (I forget the exact inactivity limit they impose).

STRAIGHT NO CHASER

Straight No Chaser
43B Coronet St.
London N1 6HD
London, England
(available at some Tower Records)

Sue: It's got a variety of short interviews and spotlights on jazz
musicians from everywhere.  Not very in-depth, but it exposes a lot of
musicians that American music media doesn't very often, including a lot
of South African, West African, and Latin American jazz musicians.

[However, it may have gone out of print since she first came across it.
Has anyone seen it more recently?  -- Mark ]

WIRE

Bill: This is a new one to me (thanks Sandeep!), and I think it's excellent.
Very well written, coverage of interesting and less commercial music over
a range of styles.  Good feature articles recently on Sun Ra, Don Cherry,
Geri Allen, reviews of European performances.  From England, so it is a
bit expensive [for US readers] ($40 per year).

----------------------------------------------------------------------------

Subject: A list of books about blues and jazz.

[Bill Rosenblatt ([e-mail]) has posted a much more complete compilation
of books reviews from the net.  He and I are working together on getting
these lists synchronized.  In the meantime, his current version is still
available for anonymous FTP; James Plank ([e-mail]) has made them
available on princeton.edu, in the file pub/jzrvws.Z.  -- Mark]

"Advanced Ear Training for Jazz Musicians", CPP/Belwin.  If you want a
real challenge.

"Advanced Improvisation", David Baker.  A book about jazz improvisation.

"Big Road Blues", David Evans.  Evans does the most sophisticated work
from an ethnographical standpoint.

"Blackwell's Guide to Blues Records", Paul Oliver, ed.  A good source
book for buying recordings.

"Das Jazzbuch" [tr: the jazz book]), Joachim E. Berendt.  Originally issued
in Germany but is now available in almost any country.  Another introduction.

"Deep Blues" by Robert Palmer (not the musician).   Excellent history
of the development of Delta and Chicago blues by a guy who loves and
understands the music and the musicians.  It also has an extensive list
of recommended recordings for a lot of the old musicians.  It is out in
a paperback now, (Penguin, maybe?).

"The Essential Jazz Companion", Ian Carr et al.  This is closer to the
"Trouser Press" format, but the emphasis is on artists rather than
specific recordings (though a good list of recordings is given at the
end of each article).  They cover just about everybody from Fats Waller
to Derek Bailey ... The coverage is a bit more detailed than an introd-
uctory book.

Leonard Feather encyclopaedias (of jazz).

"Feels Like Going Home", Peter Guralnick.  Blues.

"The Harmony Illustrated Encyclopedia of Jazz", Brian Case and Stan
Britt, Harmony, 1986.  It's not nearly as comprehensive as the title
indicates, but it is still useful.  Again, it's organized by artist,
but the individual recordings aren't described.  They only list records,
they don't rate or review them.

"How to Play Bebop", Frangipani Press, a 3 volume series that covers
the subject in detail.

"In Search of Robert Johnson."  It's only 83 pages long, including the
references, so you can read it on the bus ride home.  Well written.

"Jazz In The Forties", "Jazz In The Fifties", on DaCapo Press.  (Actually,
Da Capo has a whole series of books on jazz and blues).

"Lost_Highways", Peter Guralnick.  Blues.

"Lydian-Chromatic Approach", George Russell.  An influential book on jazz
theory.  At one time it was available from Jamey Aebersold for $32.

"The Meaning of the Blues", Paul Oliver.  Examines the social and cultural
aspects of Black America in the first half of the century as expressed
through blues lyrics.

"Method For Piano Improvisation", Dan Haerle.  Useful, even for non-pianists.
It originally came in three volumes, but is generally sold as a single unit
as "Complete MFPI".  It contains the most useful information from his
"Scales" and "Keyboard Voicings" books, plus a lot of information actual
improvisation.  Although the book concentrates on issues that seem fairly
piano-specific, such as voicing techniques (actually, guitarists can benefit
directly from this as well), a horn player can learn about harmony by knowing
how the pianist approaches it.  The scale and improvisation material is, of
course, generic.

"The One Hundred one Best Jazz Albums: A History of Jazz on Records",
Len Lyons, 1980.  Publisher: Morrow, ISBN 0-688-08720-5 (paper), ISBN
0-688-03720-8.

"Patterns for Jazz", Jerry Coker, Jimmy Casale, Gary Campbell and Jerry
Greene.  It's split up into sections by harmonic structure.  Mostly they
give you a pattern ... which you're supposed to "get under your fingers"
to expand your improvisational vocabulary.  Usually the pattern is given
in one or two keys, and you're expected to transpose it to the other 10
or 11, which is probably the most useful part of the book (do NOT write
the things out, or you miss the whole point.)  There's something in the
concept of using these things as the major source of improvisational
ideas that several folks don't like.  It should be used in combination
with other tools (transcription of REAL solos, playing with other people,
and so forth).

"Rolling Stone Jazz Record Guide", John Swenson, editor, Random House,
1985.  Not bad, though some think they rate a lot of things too highly.
They give recordings ratings on a five-star scale, plus at least a brief
comment on each musician or group.  It suffers from having multiple
contributors, some of whom vary in quality.

"Searching for Robert Johnson", Peter Guralnick.  Possibly the same as
the above-mentioned "In Search of Robert Johnson" ?

"Study in Fourths", Walter Bishop Jr.  A jazz theory book.  There is an
Aebersold VHS tape that Bishop did, as well.

----------------------------------------------------------------------------

Subject: A list of festivals of blues and jazz.

THE BIRMINGHAM [ALABAMA] JAM

[I'm trying to get more definitive information about this, billed as a
jazz, blues, and gospel festival, which happened 9/18-20/92.]

CHICAGO BLUES FEST

John Manley: 1991's Chicago Blues Fest was the weekend of June 14-16.
The list of scheduled performers is finalized around April.  To get more
info or to put yourself on the info mailing list, call [phone]
in the US and ask for the Mayor's Office for Special Events.  [Number
correct as of 10/92].

MEMPHIS BEALE ST. MUSIC FESTIVAL

The 1992 Memphis Beale St. Music Festival was held on Friday, May 1,
through Sunday, May 3.  The schedule was printed in the Commercial Appeal,
the local newspaper.  It is held right on the banks of the Mississippi
with three different stages spread out over a pretty long area.  In
addition to the music at the festival, there are plenty of bands to be
seen at all the clubs in town.  [contact information needed -- Mark]

NEW ORLEANS JAZZ AND HERITAGE FESTIVAL

Bruce Steinberg: call the New Orleans Jazz and Heritage Festival office
at [phone] (it's listed like that in N.O. information if you lose
it or it changes), and ask them to send you the complete schedule.
[Number is correct as of 11/92].

The festival always starts the last weekend in April and ends the Sunday of
the first weekend in May.

Larry Owen: In general tickets for the evening concerts range from
$22.50 to $32.50 (I didn't get the fairgrounds ticket prices, but I
would expect them to still be around $9.00/day - one of the really
great bargains left on the planet, if you can stand the crowds).

Kevin Long: There are about seven stages running simultaneously, and
they're well-isolated sound-wise.  The music begins precisely on time
and runs according to schedule.  It's a bitch to get hotel accomodations.

To charge tickets by phone to Visa or MasterCard, for for ticket
information, call Maison Blanche/Ticketmaster: [phone] or
[phone] outside Louisiana.  [Numbers not yet checked -- Mark]

----------------------------------------------------------------------------

Subject: Jazz and blues on the radio and TV.

Alan Mills: two programmes on BBC radio: 'The Best of Jazz' and 'Jazz
Record Requests' normally feature this kind of music.

----------------------------------------------------------------------------

Subject: A list of museums about blues and jazz.

MISSISSIPPI DELTA BLUES MUSEUM

Willie Williams writes:
There is a Mississippi Delta Blues Museum located in the public library
in Clarksdale, MS.

I was there in '87 during a trip from my wife's family's home in
Montgomery, Alabama to the Jazz Heritage Festival in New Orleans.

We did watch a wonderful video there of Furry Lewis, Sam Chapman, and
others.  (Tip for blues fans: catch the film Mississippi Masala, which
is terrific in all, and has some fun sequences with Sam Chapman -- the
last of the original delta bluesmen).

But, as another poster points out, don't have great expectations for
this place.  Unless it's had a windfall, it has modest resources.
I liked its big map of where the greats lived.  It's pretty amazing
how many titans came out of such a small area.  We didn't stop at the
Stovall Plantation (Muddy Waters) or the Dockery Plantation (home of
Henry Sloan, Charley Patton, Tommy Johnson, Willie Brown, Jake Martin,
and others).

SMITHSONIAN COLLECTION OF CLASSIC JAZZ

    Division of Performing Arts
    Smithsonian Institution
    Washington, D.C. 20560

For a good look at early jazz all the way through the sixties/seventies,
this set of recordings is a good choice.  Recommended by multiple sources.

----------------------------------------------------------------------------

Subject: Other information about blues and jazz accessible via Usenet.

Many periodic and informational postings show up in the moderated newsgroup
rec.music.info, including concert listings, and even pointers to more
musical resources.  Each is "tagged" by a leading keyword in the Subject:
line [an excellent convention that I wish others would pick up!]  These
keywords including CONCERT, CHART, DISCOGRAPHY, FAQ, INFO, MAILINGLIST,
RELEASE, and REC.MUSIC.INFO (for administrivia).  Many sites also archive
these postings.

An essential few postings would include:

    Newsgroups: rec.music.info,news.answers
    From: [e-mail] (Leo Breebaart)
    Subject: REC.MUSIC.INFO: Welcome to rec.music.info!
    Message-ID: <[e-mail]>
    Summary: This is the introduction article to the moderated group
    Archive-name: music/rec-music-info/welcome

    Newsgroups: rec.music.info,news.answers
    From: [e-mail] (Leo Breebaart)
    Subject: REC.MUSIC.INFO: List of Internet Musical Resources
    Message-ID: <[e-mail]>
    Summary: This is a bi-weekly article that lists and describes places where
    Archive-name: music/resources

    Newsgroups: rec.music.info,news.answers
    From: [e-mail] (Leo Breebaart)
    Subject: REC.MUSIC.INFO: List of Internet Musical FTP Sites
    Message-ID: <[e-mail]>
    Summary: This is a bi-weekly article that lists the addresses of ftp-sites
    Archive-name: music/ftp-sites

    Newsgroups: rec.music.info,news.answers
    From: [e-mail] (Leo Breebaart)
    Subject: REC.MUSIC.INFO: List of Usenet Musical Newsgroups
    Summary: This is a bi-weekly article that lists and briefly describes the
    Message-ID: <[e-mail]>
    Archive-name: music/newsgroups

    Newsgroups: rec.music.info
    From: [e-mail] (Dave Dooley)
    Subject: RELEASE: Recent and Upcoming Album Releases: XX-XX
    Message-ID: (varies)

The rec.music.bluenote FAQs are also now cross-posted to rec.music.info
and news.answers.

Marc Sabatella ([e-mail]) has written a jazz improvisation
primer, available via anonymous FTP from ftp.njit.edu in /pub/jazz-primer.
It is a beginning to intermediate "how to play jazz" text, and it covers
a broad range of topics from history to theory to "how to structure a jam
session".

Bill Hery also maintains lists of jazz clubs, record stores, and so forth.
The subject lines are (more or less):

    Jazz CD/Record Shop List
    Jazz Club List
    City Jazz Hotline List
    Jazz Radio Station List

They are posted irregularly to rec.music.bluenote.  Brian White
([e-mail]) has also made them available on FTP, and questions
regarding the FTP versions should be directed to him.  They are on:

    ftp.njit.edu:/pb/rmb-lists

Bill Rosenblatt ([e-mail]) had posted a compilation of reviews of jazz
books.  See above in "book" section for reference.

David Datta ([e-mail]) maintains a set of music archives.  [For
next month's edition, I'll include more information -- Mark]

[I'll try to have a more descriptive paragraph on FTP, archives, and MBAS
for next month's revision, but it's already way past time to get this thing
out the door! -- Mark]

----------------------------------------------------------------------------

Subject: Contributions to rec.music.bluenote FAQs.

The following net.folks have contributed to this posting:

    Arno Bosse ([e-mail])
    Edward Dansker ([e-mail])
    Ken Firestone ([e-mail])
    Joe Hellerstein ([e-mail])
    William J. Hery ([e-mail])
    William Tsun-Yuk Hsu ([e-mail])
    Kevin Long ([e-mail])
    John Manley ([e-mail])
    Vance Maverick ([e-mail])
    Roy D. McKelvey ([e-mail])
    Alan Mills ([e-mail])
    Kenneth E. Mohnkern ([e-mail])
    Larry Owen ([e-mail])
    James Plank ([e-mail])
    Sue Raul ([e-mail])
    Bill Rosenblatt ([e-mail])
    Marc Sabatella ([e-mail])
    William Sadler ([e-mail])
    Thomas Schmitt ([e-mail])
    Bruce Steinberg ([e-mail])
    Steve Vinoski ([e-mail])
    Brian White ([e-mail])
    David Willard ([e-mail])
    Willie Williams ([e-mail])
    cdx39![e-mail]

I welcome reactions, additions, and corrections to this posting via email
as [e-mail].
--
    Mark Linimon / Lonesome Dove Computing Services / Roanoke, Virginia
   {chinacat,uunet}!nominil!linimon   ||    [e-mail]
     "I keep my fingernails long, so they click when I play the piano."

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From: [e-mail] (Leo Breebaart)
Newsgroups: rec.music.info,news.answers
Subject: REC.MUSIC.INFO: Welcome to rec.music.info!
Summary: This is the introduction article to the moderated group
        rec.music.info. It explains what the group is for and why
        you might want to subscribe to it. It is posted bi-weekly.
Message-ID: <[e-mail]>
Date: 18 Dec 92 01:00:39 GMT
Expires: Fri, 15 Jan 1993 01:00:06 GMT
Sender: [e-mail] (UseNet News System)
Reply-To: [e-mail]
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Archive-name: music/rec-music-info/welcome
Last-modified: 1992/11/27 19:32:35
Version: 1.10


*** Welcome to rec.music.info! ***


Welcome to rec.music.info, a group that aims to provide a noise-free source
of information and news for the entire rec.music hierarchy.

Two introductory articles about rec.music.info are posted to the group and
to news.answers each month. You are now reading the first article, which
explains what rec.music.info is, and answers some Frequently Asked Questions.
The second article is titled "Submission Guidelines", and you only need to
read it if you want to submit an article to rec.music.info.


 --- What is the purpose of rec.music.info?

The purpose or charter of r.m.info is to provide the Usenet community with
a resource for information, news, and facts about any and all things
musical.

All the other rec.music groups are intended for discussions and general
chit chat about music.  Rec.music.info will contain informational, factual
articles only. Followups are redirected to an appropriate other group, and
further discussion (if any) will not take place in r.m.info.

In order to ensure that r.m.info contains only appropriate articles, it was
decided to create the group as a moderated newsgroup.


 --- Eh, what is a 'followup', and what does 'moderated' mean?

If you are new to Usenet and are not familiar with the terminology, you
might want to read the general introductory articles found in the newsgroup
news.announce.newusers. Doing so will make your life on the net much
easier, and will probably save you from making silly beginner's mistakes.

If you think that at this moment you are reading an echo, a conference, or
a bboard, I'd also strongly suggest a trip over to news.announce.newusers.

For the rest of this article, I will assume you have a basic knowledge of
Usenet terminology and mechanics.


 --- OK, so now I know what 'moderated' means. Tell me more.

Rec.music.info is a moderated newsgroup, which means that all articles
submitted to the group will have to be approved by the moderator first.

The current moderator of the group (and the author of this article) is
Leo Breebaart.  Submissions to r.m.info as well as comments, criticisms,
suggestions or questions about the group can either be directly posted to
rec.music.info, or e-mailed to:

         [e-mail]

But before you do so, please be sure to check out the "Submission
Guidelines" article.

The influence of the moderator is minimal and of an administrative nature,
consisting chiefly of weeding out obviously inappropriate articles, while
making sure correct headers etc. are used for the appropriate ones.


 --- Why does every article subject start with a capitalized word?

The subject of every article posted to r.m.info starts with a special
keyword. This will enable people to automatically select or kill entire
categories of information that they are/are not interested in. Because of
the keyword scheme we do not need separate newsgroups for e.g. chart
listings, or for concert dates, or for discographies.


 --- What are the keywords, and what do they mean?

At the moment there are 9 broad categories of rec.music.info articles.
New keywords will be added whenever necessary.

ADMIN:  Words of wisdom from the moderator. Used for newsgroup-related
information and administratrivia only. For messages that get crossposted
to other groups (like the one you are reading right now), I will use the
less confusing REC.MUSIC.INFO: keyword.

CHART:  'Top <n>' lists from all over the world, usually posted
periodically. Considered worthless trivia by many folks, charts are
nonetheless hugely popular with even more people, so they make up a
significant amount of r.m.info contents.

DISCOGRAPHY:  Discographies for recording artists in any genre.

CONCERT:  Tour schedules, special appearances, festival line-ups,
this season's list of Boston Philharmonic performances -- you get the
picture.

RELEASE:  Announcements of new music releases.

NEWS:  "Freddie Mercury, the lead singer of Queen, died this weekend."

MAILINGLIST:  Announcements and information pertaining to any of the
existing musical mailing lists.

FAQ: Frequently Asked Questions articles.

INFO:  Catch-all category for information that is useful but does not fit
any of the above categories. Examples: "List of good classical record shops
in Amsterdam", "Ftp site for Michael Jackson-related material established".


 --- Why don't you use genre related keywords like CLASSICAL or ROCK?

1] Because I want to refrain from making things needlessly complex, both
for myself and for the readers.